Get Freaky 2014 - Night 2 (SAT)

Jahan, Yasmine and Rainman, who live in and create music in the gritty yet artsy neighborhood, burst onto the national stage with their debut video "Killin' It" in early 2012, racking up Facebook likes and spreading virally around the globe via Twitter as EDM fans swooned over KREWELLA's unique brand of dubstep-infused electronic music with catchy female vocals. However, KREWELLA insists that they are just getting started.

"We get pigeonholed into being 'dubstep' a lot, but only one of the tracks on our EP is actually dubstep," says Kris Trindl aka 'Rainman,' beatmaker and one third of KREWELLA. "People like to put us in a box, but we just like good music….if it's between 100BPM to 170 BPM we'll figure out a way to make it work and have a good time with it," the producer and DJ says. "We just make music that we love."

Most DJ/producers don't crack into the DJMag Top 100 before the age of 30. Most of them don't shun major label attention. Most of them don't have them don't have the balls to call out the scene that they belong to when it's failing to deliver the goods. And some don't even produce 'their' own tracks. Gareth Emery, with his potent blend of trance, house, electro and techno, however, is not your average major league artist.

He was a prodigious talent in his childhood, teaching himself to play the piano from the age of 4, and continuing his invaluable classical education until he began playing guitar in an indie band at 15. Neither of these were false starts for his eventual electronic conversion; instead, both paths giving him essential experience and understanding of music and songwriting and how to convey emotion through his sounds. His baptism of fire came on a chance trance trip to Ibiza in 1998, which was followed by three years of learning the machinations of electronic music making. At the age of 22, he created a track on a laptop while on holiday in France. That track was the instant classic Mistral; a stunning debut which soon had unsuspecting pundits and clubbers alike eating out of his hands. From here onwards his career ascent was impressively - and deservedly – rapid.

"I guess it's just good, melodic dance music," he says of his musical style. "One of the most positive things about the scene over the past few years has been the gradual breaking down of genre barriers and the cross-pollination of sounds. I just look for records that I enjoy musically and also work well in a club. The genre is unimportant". He's not afraid to meld his bold, scintillating electronic motifs with more organic flavours, with his crisp, sharp leads and basslines frequently married to soaring vocals, traditional songwriting prowess and what some might call 'proper' instruments.

While he's spent record-breaking stints at the top of Beatport's Trance sales chart, and while trance will always be a part of what he does, he won't let the sound ultimately define him. "I've realised that my strength is in music and melodies that touch people. I'm a music guy. It just happens to be that the music I make is electronic. That realisation has allowed me a lot more creative freedom, then when I felt I had to write music for a certain 'scene'." It's this very decision which has helped him to garner such widespread acclaim and which has ensured that he's never boxed as simply a trance DJ/producer. His ambitions are bigger than any one sound or scene, and his eclectically flavoured output is testament to that fact. "The longer I've been producing, the less I see myself as a dance music producer and more as an artist and musician" he explains of this approach to production. "I always start a track with the music, rather than the beats, and I found the dance scene after classical piano training and years of playing guitar in bands, so I guess in a way I've come full circle."

His ground-breaking podcast started back in 2006, marking him out as one of the key early adopters of the now ubiquitous format. Nominated several times for the Miami IMDA Best Podcast award, it's been a seriously important calling card for his career. "I got lucky basically. But I also never had any musical rules about the show; it was always whatever tracks I liked that week, regardless of whether they fitted my sets. Down the line that allowed me to be more innovative and varied with my DJ sets." He's consistently voted inside the DJMag Top 100 DJs Poll - peaking at Number 7 - with his burgeoning Garuda party selling out Manchester's legendary Sankeys four times in a row and spawning a critically acclaimed compilation, The Sound Of Garuda. Building a musical brand around his name in record shops, download stores, radio and clubland has given him an all-encompassing reputation in dance music which is rivalled by few.

His 2012 is off to a huge start, with latest single Concrete Angel premiered on Judge Jules' Radio 1 show , and its video added to the prestigious MTV Dance playlist as well as racking up 1 million YouTube plays in its first three weeks online. He's been chosen as a resident for Las Vegas's Marquee - one of the most outstanding club venues in the world in the city that everyone's calling the new Ibiza - while he's also playing the enormous Ultra Music Festival and taking Garuda to Space Miami. Clocking up air miles like nobody's business, he's massively in demand across the globe, his continually evolving sound gaining him bookings at an impressive variety of clubs and festivals the world over.

As you can probably tell, Gareth Emery is a man of hard-graft and sizeable ambition. His ambitions are impressive, with a view to produce bands and other artists in the future. His focus for the foreseeable future is on building further on the huge platform that Garuda sits on, taking his club nights and new show across the globe, while continuing to create more slices of 'anti-genre' dancefloor gold.

Zomboy has had an explosive few years since making the transition from his sound engineering background into full-time music production, and his dynamic rise to global recognition has been quite something to watch.

Citing early inspiration as Skrillex, Reso and Rusko, his first EP upon signing to Never Say Die Records 'Game Time' smashed the Beatport charts and led to the likes of Ministry of Sound and Warner Music snapping up several of his other tracks for various compilations. Constantly developing his unique sound, Zomboy has gone to create numerous remixes for artists such as Fedde Le Grand, DJ Fresh and Flux Pavilion, clocking millions of views on YouTube and causing an ever-increasing demand for his DJ sets across the world.

2013 saw the release of his divided 'Reanimated' EP across both Never Say Die Records and No Tomorrow Recordings, which gathered huge praise both across both the dubstep and electro scenes. He says of the Beatport Number 1 – "The two halves each have their own distinctive sound, but together they are a cohesive fit."

The future of Zomboy will undoubtedly be that of further bass domination – this year is looking to be his career's most pivotal yet. Having just announced that his debut LP 'The Outbreak' will drop in August, he embarks on an extensive US tour from May, spreading his new sounds accompanied by Eptic, TC and Cookie Monsta. His first single 'WTF!?' is to be released 19th May on Never Say Die, and sees the unstoppable force of Zomboy taking a thrilling new direction in sound design.

In an age where very few Artists break the mold and truly shine through as unique and innovative, Dutch/Turkisch star Ummet Ozcan raises the bar. From his 2011 #1 hit “Reboot,” which spent 7 weeks at #1 on Beatport, to this recent genre-­?defying #1 smash hit “The Box” – one of the most played records at EDC Las Vegas 2012 – Ummet continues to surge in popularity worldwide.

Beginning with his first hits “Time Wave Zero” (Doorn Records), “Arcadia” (Doorn Records) and “Shamballa” (Reset), Ummet showed the world that he had something different to offer…and the top names in the industry are quickly joined his huge global fan base.

In 2012 he landed a collaboration with Paul van Dyk and together they’ve produced a track called ‘Dae Yor’ for Paul van Dyk’s album ‘Evolution’. As a Dj he is in high demand and is playing the international field and high ranked clubs and festivals like Godskitchen,Pacha, Eden, Mondaybar, Tomorrowland, Planet Love, Global Gathering, A State of Trance etc.

Continuously garnering huge support from a broad array of the world’s top jocks like Armin van Buuren, David Guetta, Avicii, and Sander van Doorn, Ummet Ozcan is firming his position at the forefront of the next generation of brilliant EDM Producers.

With an unprecedented amount of artists seeking the formula for club-­?friendly absolution, Revealed Recordings proudly premiered their first secret weapon of the New Year -­?-­? W&W and Ummet Ozcan’s “The Code”. It entered at #1 in the DMC buzz chart. ‘The Code’ has been one of the tracks with the biggest buzz around for months. It is currently #1 in the main Beatport chart.

Ummet is also known for his softsynth and soundbank design for well established music software houses like Rob Papen (Albino, Predator) and Acces Music (Virus). At this moment he is developing a new synthesizer (Genesis Pro) along with new spectacular unheard of sounds that will definitely pave the way for a fresh new musical breeze thru EDM. Also he is working on a few new big anthems to be released on the infamous Spinnin Records label that will undoubtedly bring a lot ear pleasure and tons of Ozcan followers.