Get Lucky 2018

"I think dubstep has become so huge because it's a complete bastardization of electronic music," exclaims rapidly emerging young producer and artist DATSIK. "There's a little bit of everything thrown in the mix and dirtied up. There are pieces of hip-hop, the bass from electronic dance tracks and the roots of U.K. garage and drum & bass…Dubstep is totally the punk rock of electronic music."

If DATSIK (born Troy Beetles) sounds more like a young rapper than one of the world's preeminent young dubstepstars, it's for good reason. The Kelowna, British Columbia, native grew up a hardcore rap fan that still pledges allegiance to classic Wu-Tang Clan and it permeates his dark, aggressive music.

DATSIK's future-tech dance-floor detonators exploded on the dubstep scene almost immediately, racking up a series of seven #1 tracks on Beatport, including at one time owning five of the ten tunes on their best-sellers chart. He's also had smash hits on other music sites like Juno, Red Eye and Chemical Records and early remix credits include works for the biggest names in the game like Diplo, The Crystal Method and Bassnectar.


There are DJs who can rock a party, a club, a festival. And there are acts that can write songs that will bring out the goose bumps in you. But there's only one group that can do both: Above & Beyond. This three piece have remixed Madonna, won Essential Mix of the Year, and played to one million people in Rio de Janeiro. More importantly they've written songs with the power and the melody to en-trance that one million-strong crowd, many of who were singing along, word for word.